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It was such a surprise but it is an amazing feeling to know that people who are close, support everything I do❤️ I will never give up. I’m happy and blushing haha

It was such a surprise but it is an amazing feeling to know that people who are close, support everything I do❤️ I will never give up. I’m happy and blushing haha

artnet:

No, that’s not an Instagram photo. It’s a 112-year-old print known as a cyanotype, which involves a specialized chemical process that imparts the slightly surreal, cerulean blue tint.

artnet:

No, that’s not an Instagram photo. It’s a 112-year-old print known as a cyanotype, which involves a specialized chemical process that imparts the slightly surreal, cerulean blue tint.

chibird:

If only I could just plop down and sleep for 24 hours. >3<

chibird:

If only I could just plop down and sleep for 24 hours. >3<

svdp:

Here’s a brilliant concept by artist Harvezt who imagines what the reverse side of the some of the most iconic album covers would look like. In his series titled “The Dark Side of the Covers” ,Harvezt tackles everything from Nirvana, Beetles, Bowie, to Dr. Dre. Check out the full series HERE

(via remediosthebeauty)

exhibition-ism:

Aakash Nihalani's new solo exhibition at Wunderkammern in Rome. 

fortswinwars:

"Shrouded within the park of Villa Demidoff (just north of Florence, Italy), there sits a gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus. The brooding structure was first erected in 1580 by Italian sculptor Giambologna. Like a guardian of the pond in front of him, the giant is in an endless watchful pose, perched atop his earthy seat.”

fortswinwars:

"Shrouded within the park of Villa Demidoff (just north of Florence, Italy), there sits a gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus. The brooding structure was first erected in 1580 by Italian sculptor Giambologna. Like a guardian of the pond in front of him, the giant is in an endless watchful pose, perched atop his earthy seat.”

(via helpmeimnicole)

eatsleepdraw:

all that could have been, 2014
38 x 45 inches
charcoal on paper
www.richardborashan.com

eatsleepdraw:

all that could have been, 2014

38 x 45 inches

charcoal on paper

www.richardborashan.com

chibird:

I wish someone told me this more often.
It is extremely hard to build self-confidence. You have to throw away the self-doubt and really just start believing.

chibird:

I wish someone told me this more often.

It is extremely hard to build self-confidence. You have to throw away the self-doubt and really just start believing.

creativetime:

A peak inside Domino Sugar Factory before Kara Walker began her takeover. All the black you see? Molasses. This cavernous space used to be filled with sugar.

The exhibition opens May 10 on the Williamsburg waterfront, Brooklyn.

likeafieldmouse:

Cathyln Newell - Concrete Ghosts: Curfew

Artist’s statement:

Curfew provokes the loss of a larger space to fleeting apparitions of darkness and memory.

Simply, the work is the ghosting of a darkened window, made of the strange and violent spatial lines embedded with candlewicks burnt away and trailing smoke true to the term curfew (rooted in the French term, literally to cover the fire).

Fleeting and vanishing (both physically and in memory), the line work is a dance between the fewest lines that can be trusted, and the imagination projected onto a darkened reality.

Its implications and threat of vanishing is the unknown reality, one that seems familiar, though always unfamiliar. Curfew remains something that is there among us, but anxious, fleeting, and aggressive, though even frightened in and of its own being.”

Love

It was such a surprise but it is an amazing feeling to know that people who are close, support everything I do❤️ I will never give up. I&#8217;m happy and blushing haha

It was such a surprise but it is an amazing feeling to know that people who are close, support everything I do❤️ I will never give up. I’m happy and blushing haha

artnet:

No, that’s not an Instagram photo. It’s a 112-year-old print known as a cyanotype, which involves a specialized chemical process that imparts the slightly surreal, cerulean blue tint.

artnet:

No, that’s not an Instagram photo. It’s a 112-year-old print known as a cyanotype, which involves a specialized chemical process that imparts the slightly surreal, cerulean blue tint.

chibird:

If only I could just plop down and sleep for 24 hours. &gt;3&lt;

chibird:

If only I could just plop down and sleep for 24 hours. >3<

svdp:

Here’s a brilliant concept by artist Harvezt who imagines what the reverse side of the some of the most iconic album covers would look like. In his series titled “The Dark Side of the Covers” ,Harvezt tackles everything from Nirvana, Beetles, Bowie, to Dr. Dre. Check out the full series HERE

(via remediosthebeauty)

exhibition-ism:

Aakash Nihalani's new solo exhibition at Wunderkammern in Rome. 

fortswinwars:

"Shrouded within the park of Villa Demidoff (just north of Florence, Italy), there sits a gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus. The brooding structure was first erected in 1580 by Italian sculptor Giambologna. Like a guardian of the pond in front of him, the giant is in an endless watchful pose, perched atop his earthy seat.”

fortswinwars:

"Shrouded within the park of Villa Demidoff (just north of Florence, Italy), there sits a gigantic 16th century sculpture known as Colosso dell’Appennino, or the Appennine Colossus. The brooding structure was first erected in 1580 by Italian sculptor Giambologna. Like a guardian of the pond in front of him, the giant is in an endless watchful pose, perched atop his earthy seat.”

(via helpmeimnicole)

eatsleepdraw:

all that could have been, 2014
38 x 45 inches
charcoal on paper
www.richardborashan.com

eatsleepdraw:

all that could have been, 2014

38 x 45 inches

charcoal on paper

www.richardborashan.com

chibird:

I wish someone told me this more often.
It is extremely hard to build self-confidence. You have to throw away the self-doubt and really just start believing.

chibird:

I wish someone told me this more often.

It is extremely hard to build self-confidence. You have to throw away the self-doubt and really just start believing.

creativetime:

A peak inside Domino Sugar Factory before Kara Walker began her takeover. All the black you see? Molasses. This cavernous space used to be filled with sugar.

The exhibition opens May 10 on the Williamsburg waterfront, Brooklyn.

ycphotographs:

Ghosts of today, by  Evan Heaslip
-

ycphotographs:

Ghosts of today, by 

-

likeafieldmouse:

Cathyln Newell - Concrete Ghosts: Curfew

Artist’s statement:

Curfew provokes the loss of a larger space to fleeting apparitions of darkness and memory.

Simply, the work is the ghosting of a darkened window, made of the strange and violent spatial lines embedded with candlewicks burnt away and trailing smoke true to the term curfew (rooted in the French term, literally to cover the fire).

Fleeting and vanishing (both physically and in memory), the line work is a dance between the fewest lines that can be trusted, and the imagination projected onto a darkened reality.

Its implications and threat of vanishing is the unknown reality, one that seems familiar, though always unfamiliar. Curfew remains something that is there among us, but anxious, fleeting, and aggressive, though even frightened in and of its own being.”

Love

itscolossal:

Grass Leaf Pens by Zeup now in the Colossal Shop. 

itscolossal:

Grass Leaf Pens by Zeup now in the Colossal Shop. 

About:

I see myself growing each day. I never stop learning and never will. Love, Laugh, Life is what I strive for.

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